2017 – 2018 Season
Now in its 20th season, the Charles River Wind Ensemble promotes the performance, appreciation, and composition of classical and contemporary wind ensemble music. Our performances include brief talks and program notes about the composers and pieces being performed. By frequently performing new pieces by contemporary composers, the ensemble also supports the continued growth of the modern wind ensemble repertoire.
En Español May 20, 2018
Matthew M. Marsit, Music Director
Duende: Four Preludes for Symphonic Wind Ensemble — Luis Serrano Alarcon
I. Allegro giusto
II. Animato
III. Cadenza a piacere; molto sentito
IV. Tempo de Buleria
Paso Doble Costa Rica — Otto Vargas Rojas
Symphony No. 3 "The Great Spirit" — Ferrer Ferran
I. Gaudí
II. La Sagrada Familia
Danzón No. 2 — Arturo Márquez (arr. Oliver Nichol)
Electrified Winds March 11, 2018
Matthew M. Marsit, Music Director
Mothership — Mason W. Bates
Black Dog — Scott McAllister
Matthew Marsit, solo clarinet
Sebastian Boniauto, conductor
Aerospace — Maxime Aulio
Esctatic Waters — Steven Bryant
I. Ceremony of Innocence
II. Augurs
III. The Generous Wrath of Simple Men
IV. The Loving Machinery of Justice
V. Spiritus Mundi
Asphalt Cocktail — John Mackey
British Invasion November 19, 2017
Matthew M. Marsit, Music Director
The Planets — Gustav Holst
I. Mars
II. Jupiter
English Folk Song Suite — Ralph Vaughan Williams
conducted by Dave Day
I. March: "Seventeen Come Sunday"
II. Intermezzo: "My Bonny Boy"
III. March: "Folk Songs from Somerset"
Six Studies in English Folk Song — Ralph Vaughan Williams
arr. Jerry Cadden
Richard Kesner, euphonium soloist
I. Adagio: "Lovely on the Water"
II. Andante sostenuto: "All on Spurn Point"
III. Larghetto: "Van Dieman's Land"
IV. Lento: "She Borrowed Some of Her Mother's Gold"
V. Andante tranquillo: "The Lady and the Dragoon"
VI. Allegro vivace: "As I Walked Over London Bridge"
Symphony No. 1 "Prometheus" — Daniel Basford
I. Slow, mysteriously
II. Vivace ritmoco
III. Steadily
IV. Maestoso sostenuto
Awayday — Adam Gorb